Newscool is cool, but you may find yourself wishing you could use Reaktor sequencers to play Live instruments. (You will occasionally find that a control, such as Newscool's Step‑size control, can neither be configured in Live nor MIDI mapped in Reaktor.) Steppin' Out You can now automate the configured sliders directly in Live clips or assign them to MIDI events or Instrument rack Macro controls. Next, click the Configure button and then click each of the Ensemble controls you want to manipulate in Live - they will show up as sliders in the plug‑in device panel. Click the plug‑in device's triangular Unfold button to reveal the device parameters. Like many plug‑ins, Reaktor sports its own MIDI Learn capability, but the easiest way to apply automation and MIDI mapping to Ensemble controls is to use Live's implementation. A dark cell lights up at the next step if it has exactly three lighted neighbours. The pattern in the Performer display evolves according to rules based on John Conway's cellular automaton model 'Game Of Life.' A lighted cell stays lit at the next step if it has either two or three lighted neighbours otherwise it goes dark. Alternatively, you can load presets or random patterns from the menu and tabs just below the Board display. A Live track setup and Instrument rack for Spiral are shown at the bottom.To create your own sequences you draw patterns in the sequencer's Board display on the left and then transfer them to the Performer display on the right, either manually or automatically when the sequencer loops. You control the rotation speed, grid and amount of quantising, pitch correction, pitch and velocity range, and settings called Tilt and Wrap for pitch, velocity and rotation. As the rotating squares in the central display pass the pick‑up position indicated by the red line, MIDI notes are emitted. The Sens knob controls the density of sequenced notes, whereas the other three knobs control which sounds are played by changing the arrangement of the coloured dots in the background of the Performer display above the knobs.Ģ: The Spiral Ensemble is one of the more unusual Reaktor MIDI sequencers. Start with the Warp, Offset and Sens(itivity) knobs at the bottom‑right. Next play with the sequencer section at the top. Try out different Snapshots for the synthesis engine at the bottom most are percussive sounds with varying degrees of pitch. Try using Live clips to control the sequencer with those notes.To explore Newscool, enter the sequencer settings shown in screen 1 and start Live playing. MIDI Notes C2, D2 and E2 respectively trigger the sequencer's pattern Reset ('&>&>'), Next and Run buttons. The rack's XY‑control sets the LFO rates for synth and effects modulation. The eight voices have different sounds and effects processing.ġ: In this screen I've enclosed the Ensemble in a Live Instrument rack with Macro knobs assigned to the most important sequencer controls. Each lighted cell in the Performer display sends a note to the synthesizer voice matching the colour of the dot hidden underneath the cell. The sequencer starts with a pattern drawn or loaded into the Board display on the left, which then evolves in a sequence of patterns in the Performer display on the right. The Ensemble contains two Instruments: a sequencer called 'Life' at the top and an eight‑voice synthesizer called 'NWSCL' at the bottom. The Newscool groove box is one of my favourite Reaktor Ensembles, and it's a great one for getting to grips with playing and automating Reaktor Ensembles in Live. For a brush up on Reaktor terminology see the 'Reaktor Plug‑in Basics' box. If you don't have Reaktor, you can get a taste by downloading the free Reaktor Player from Native Instruments' web site ( In this month's column we'll go over what you need to know as well as what you need to watch out for when using Reaktor as an instrument, audio effect or MIDI effect device in Live. And if you happen to own any version of Native Instruments Komplete, Reaktor is just sitting in your plug‑ins folder waiting for you to take advantage of it. Using Native Instruments Reaktor in Live is not quite as straightforward as using other plug‑ins, but the extra effort is well justified by Reaktor's immense versatility. NI's Reaktor is the perfect partner for Live.
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